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Campanello manages to confront the frightening coldness of her material without exploiting it, surrounding it with restrained but palpable fury. The complete text is forthcoming from zimZalla as a boxed ‘report’; as well as remembering the dead, it also serves as an indictment of abused state and religious power. The selection presented here is already damning, and powerful.
— Rebecca Varley-Winter, Sabotage Reviews